Since the Summer of 2025, I've been dipping my toes into the realm of electronic pop music production and songwriting! The results of these sonic excursions are listed below:[^1] --- **10th Plague (single):** a lyrical, allegorical dramatization of my essay [[The Great Civilizer]]. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/track=2718052548/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless></iframe> --- **The Blood is the Life (single):** A gothic-horror-inspired dark synthpop romance. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/track=3054314740/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless></iframe> --- **Transistor/Resistor (album):** A concept album about trans girlhood in the midst of crumbling empire, Transistor/Resistor fuses synth-punk and dystopian balladry to tell one girl’s mythic story of love, loss, survival, and rebellion in a world built to erase her. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=4074166625/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless></iframe> --- **Trans. Human. Female. (album):** A synthpop manifesto of sapphic desire, trans becoming, and feminine fire. Ten tracks. No apologies. Just truth—Trans. Human. Female. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1023629185/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless></iframe> [^1]: **Disclosure:** These songs make use of AI-generated vocal samples, while the music, lyrics, and production are otherwise original and my creation. Part of my interest in exploring this type of production stemmed from the realization that I could make use of recent advances in AI vocal models to be able to "sing" in a voice more congruent with my gender; however, I am aware that this technology is controversial due to issues of authorship, intellectual property, and replacement of human labor and creativity, all of which I think are valid and legitimate concerns. My use of this technology in an experimental/assistive capacity should not be taken as an endorsement of its general use and deployment or the current industry and culture surrounding it.